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This organization is helping women take charge of their careers and their finances.

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As a young woman, Brandi Tillman never thought of herself as a financial role model.

Growing up in Chicago, she was raised to believe that navigating the financial world was a task that was best left to men.

“I know firsthand, boys in my family are taught to save money,” says Tillman. “Work a job, save money, ‘this is how you get a house, this is how you get a car.’ The girls [weren’t] taught that [as much].”

So it’s understandable that when she opened her first savings account in college, she didn’t really try to understand how to use it.

“I didn’t know how to manage [a savings account] without overdrawing,” recalls Tillman. “I didn’t keep it long because I didn’t know what to do with it.”

Needless to say, Tillman had developed a bit of a financial blindspot over the years that was impeding her ability to achieve the level of success of which she was more than capable.

It impacted her career as well. She veered away from jobs that dealt significantly with finance.

Thankfully, Tillman got wind of an organization called Dress for Success that’s helping women learn the skills they need to succeed in both the workplace and finance world.

A Dress for Success class in Seattle. Photo via Dress for Success.

Started in 1997, Dress for Success Worldwide is a global organization that was created to “empower women to achieve economic independence by providing a network of support, professional attire and the development tools to help women thrive in work and in life.”

One of those tools is now a comprehensive financial education program.  In partnership with Capital One, Dress for Success is offering its network of goal-oriented, career-driven women the opportunity to take a financial well-being course aimed at helping them define and achieve their individual goals.

Tillman was invited to participate through the Professional Women’s Group — a life-long network of employed Dress for Success women that offers support, practical information and inspiration to help them reach their goals.

She agreed because she had never taken any class or course on finances before. However, she wasn’t sure what to expect.

“When I signed up for it, I thought it would just be talking about how to make money, then how to spend it, then how to save. I thought those were going to be the main points, but there was this broad perspective.”

The 13-week program, hosted at Capital One’s Lincoln Park Café and facilitated by Café Ambassadors, went in-depth on subjects like stocks and bonds, mutual funds, how banks interact with consumers, and the tactics for building and maintaining good credit.

For Tillman, it was a game changer. “I heard about these things before, but I never got any kind of explanation on how to get them, what they’re there for, different ways they’re used,” she explains.

But the program’s not just about helping women gain financial knowledge. It’s helping women, like Tameka Flowers, land the job of their dreams.

Flowers (center) graduating from the financial literacy program. Photo via Flowers.

A working mother of three from Los Angeles, Flowers was job searching frantically for something that could pay the bills immediately rather than thinking long-term.

“I was applying for any job,” says Flowers.

She went on 20 interviews, but kept coming back empty-handed. Then Dress for Success helped her clearly define her goals and think about the future. Soon after, she landed her dream job as Manager of Learning and Development for Goodwill Southern California. She also now serves as an Ambassador for Dress for Success Worldwide, and was invited to participate in the organization’s Financial Education Program.

“Just being a part of that program, it really took my confidence to the next level,” she says.

As much as the Financial Literacy Program is about strategizing and defining your own financial goals, it’s also about learning from other women of all backgrounds and financial histories, and creating a network of support.

Ana Maria Matos, a social worker from Portland, Oregon, who also took the course, likens it to learning to speak English as her second language.

“I don’t feel like you learn it in the classroom. You learn it by going out and speaking and talking to other people. I think financial [strategy] is the same way.”

“There were women who were 50, 60 plus in our class who could give insight on mistakes they had made…financial mistakes and financial goals they had throughout life,” explains Tillman.

And it didn’t only go one-way. Tillman said the younger members were just as adept at teaching the older women about online banking, cash-pay apps like Zelle and other technological advances in finance.

A Dress for Success class in Glendale, California. Photo via Dress for Success.

Now Tillman is interested in passing her newfound financial wisdom on to her 14-year-old daughter, Makya. In fact, at the top of Tillman’s newly defined financial priorities is opening a savings account in her daughter’s name.

Perhaps Tillman’s daughter will even have the opportunity to join this fast-growing network of strong and supportive women. Since its inception, Dress for Success Worldwide has expanded to more than 150 cities across 30 countries, and continues to invest in the lives of more and more women every day.

Being able to take charge of personal finances is vital to securing independence and security for the future, and should be a prerogative of every person, regardless of age or background.

Tillman, Flowers and Matos are just a handful of the women from Dress for Success Worldwide who’ve taken charge of their own financial well-being. And they hope to lead and inspire many more to follow suit.

“One of the things I really think we need to create [is] awareness,” says Matos. “All of us can dream and achieve goals. It just happens that we need to have somebody who can make us see that nothing is impossible.”

Read more: http://www.upworthy.com/this-organization-is-helping-women-take-charge-of-their-careers-and-their-finances

Rob& Chyna: the saddest depict on TV

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The format of this painfully dull show is identical to other persons of the Kardashian empire: interminable vistums of people sitting in kitchens not gobbling cheese plates

Is there a least qualified reality picture adept than Rob Kardashian? If you lined up 10 people from the casting register of A& Es Intervention and Rob Kardashian and had to choose one to base an ongoing television series around, would you ever pick him unless people know his last name? Isnt this a tragedy? Shouldnt we all be more disturbed?

Sunday nighttimes premiere of the brand-new E! serial Rob& Chyna recognizes the return of the black sheep Kardashian to the public eye. Hes wasted years of his life unwilling to leave his room, which generated him to increase( his statements) a grasp of load. He seems little comfortable acquiring see contact with other human beings than the little orphan daughter Newt from the movie Aliens. A Los Angeles Dodgers hat covers whats left of the poor guys thin, unkempt mane. His wardrobe contained in T-shirts , nondescript jeans and sneakers. In other statements, when I watch this astoundingly depressing platform, I watch myself and what I might become( minus the millions of dollars ).

The first few minutes of Rob& Chyna intend to oblige us sympathize with Rob and his pregnant fiancee Blac Chyna. As an aside, isnt it a bit grisly that Blac Chyna goes almost exclusively by the name Chyna in the first episode now that the original Chyna the former WWE wrestler has died? Its like rummaging through people jewelry after a funeral.

Regardless of what you call her, Blac Chyna is the actual whiz of this substantiate, even if her refer is second on the marquee. She came up from the world-famous piece guilds of Atlanta and became something of an entrepreneur, at least in the way that we define that term in 2016. She took the Kardashian template of monetizing tabloid notoriety through a religion of identity social media ubiquity, labelled commodities, and now, the final slouse of the question, an E! world dealership. Shes become a major supporting player in the ongoing Kardashian meta-narrative having a baby with the rapper Tyga, who then leaves her for Kylie Jenner, which leads to Chyna link patrols with Rob. Whether or not her relationship with Rob is genuine or a calculated effort to increase her making potential is not for me to decide (* cough its bullshit cough *) but what is is whether or not this Tv show is good. Its not.

Rob
Rob& Chyna: started with the wind. Photo: E!

If your litmus test for sticking with a program is refuting the issues to does someone fart within the first 10 times with a yes, then Rob& Chyna is for you. Spoiler alert, Chyna farts in the car. If you prefer a little bit of drama, then maybe flip over to another channel. Or throw your cable container or streaming machine into the nearest open body of water and walk into the town square. Either one is fine with me.

The format of this painfully monotonous show is identical to the other outposts of the Kardashian empire: interminable scenes of parties driving indulgence gondolas on featureless routes, be standing kitchens not snacking cheese platefuls, or folding invests for a business trip-up that are able to or may not ever happen. During these stages, mush-mouthed pod parties debate some ill-defined conflict. Person needs to go to rehab for a ambiguous difficulty. Someone must be free to verse person back about a event that happened off camera. Someone feels disrespected. A party invite is lost in the mail. Watching these substantiates is like reading “the worlds largest” banal email thread at 3am. Plug sad-eyed agoraphobe Rob Kardashian into this format and you have a antidote for insomnia so potent, the Food and Drug Administration should regulate it.

The ostensible planned of this occurrence revolves around Rob alleging Chyna of texting people behind his back. He says this to be the case because he discovers that Chyna has changed the passcode on her iPhone. He even insinuates that shes hooking up with her ex, Tyga. All of this takes plaza with Rob spread out comfortably on a berth. Chyna denies any immorality, then accuses Rob of contacting girls behind her back. He apparently admits it, which I vaguely recollect before my eyelids glued slam for the evening. It must be the case, because the very next stage is Chyna in another expensive auto screaming at Rob to stop texting bitches.

These are the moments one watches reality TV for hostility, incoherent shouting and profanity. This is why I favor the Andy Cohen Bravo model for reality over the clumsy Ryan Seacrest/ Kris Jenner luxury gabfests. Contrast Rob& Chyna with Bravos Below Deck, currently on its fourth season and with one spinoff under its belt. Below Decks premise is simple: throw a knot of attractive deckhands on a mega-yacht, travel them with booze, and encourage them to melt down every chapter. Would you instead watch that or a demo starring beings too far-famed to induce proper chumps of themselves for your delight? The reaction is, neither, Im a grownup who is too busy including value to the culture to demean myself with such playthings, but dont annoy, I picked the show about yachties drunkenly robbing up too.

I said here today that the producers of Rob& Chyna( which include the titular Rob and Chyna among their grades) do try to spice situations up. Scott Disick appears in the role of Robs only friend in the entire world and his chauffeur, schlepping him around Los Angeles like a pasty white Morgan Freeman from Driving Miss Daisy. Theres a memorable incident where Rob goes into Chynas home in full Eeyore mode, carrying heydays to apologize for texting bitches. Chyna isnt having it, grabs the flowers, grubs them in a pond, then kicks Rob out of her room. This is the turning point of the suspect story, as the rest of the occurrence commits Chyna trying to get Rob to text her back, as she has apparently forgotten that she hollered at him to leave her alone while pissing all over his nostalgic gesticulate. Im sure Rob Kardashian, AKA Calabasas Morrissey, truly took that well.

Finally, Kris Jenner, matriarch of the expansive Kardashian family and former nemesis of Blac Chyna, appears to counsel Chyna on how to deal with Rob. Jenner is shown to be so prudent that I half expected her to have grown a beard, picked up a large rod, and thrown on a pointy hat off-screen. Much has been made of how Blac Chyna is so shrewd and took down the Kardashians by getting engaged to Rob. Thats a nifty little underdog narrative, but if you think that Kris Jenner isnt clever enough to use this to her advantage and will be the eventual win of this dim-witted contest, then you arent paying attention to the establish. Thats fine, since it probably became you pass out from wearines, but the fact remains that one of the last faces you see in this first occurrence is Kris Jenner. The whole brainless enterprise is hers and hers alone. Chyna can have a piece, as long as she pays her taxes to her feudal lord.

And they are Rob. At last-place, they found a room to monetize his mopey face and wrinkled robes. Instead of a Shrek-like soul they deter locked away in a cellar, he has his own demonstrate, which exclusively furthers the objective of his family. In exchange, this soul who maybe has real clinical depression has to pretend to be a Tv sun. By collision, E! has stumbled upon the saddest appearance on television, so filled with existential hopelessnes that youd presume it was drummed up by a government-funded scribe in some sodden Scandinavian country over a bottle of cheap scotch. If you watch more than one of the following options occurrences, youll maybe find yourself not leaving the house for years, just like Rob Kardashian.

Transformers: The Last Knight review- chuck this mess on the scrapheap

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The impenetrable fifth cinema in the franchise demonstrates that chairman Michael Bay has run out of ideas

I would hazard a guess that Michael Bay would sooner lose his own testicles than hand over the controls of the Transformers dealership. In happening, given the swilling testosterone that sloshes around these duelling space robot movies, the two are perhaps inextricably linked. Bay has effectively been brandishing his balls in our faces for five cinemas now. But rendered this latest blitzkrieg of blah, it seems best available act who are able to happen to this serial would be a brand-new chairman, with ideas and, ideally, a pas friendship with storytelling. That, or entrust the whole metal mess to the scrapheap.

Despite the fact that Bay employs his usual proficiency of having characters shout descriptions of what happens on the screen( sample exchange: Oh my God, look at that, its a big alien ship !), the scheme is a vehicle gate-crash of impassable stupidity. This storey hitches a raise on Arthurian mythology and chows in some Dan Brown-style ancient artefact peril, before descending into the usual bludgeoning effects-laden climax. Mark Wahlberg returns as autobot wrangler Cade Yaeger; new adds-on to the cast include Anthony Hopkins( eccentric aristo with a ninja robot butler) and Laura Haddock, playing Vivian Wembley, an Oxford history professor. Perhaps “youve got to be” huffing petrol vapours( or whatever it is that the autobots run on) but 149 hours have rarely felt so interminable.

A self-driving vending machine is not the best use of autonomous technology

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If San Francisco’s robot security guards faced backlash for simply standing around, an autonomous tech company’s latest self-driving idea doesn’t stand a chance.

This week PerceptIn, a Chinese robotics company with Silicon Valley offices, introduced the DragonFly Intelligent Advertising Vehicle, a self-driving vending machine and mobile advertising unit. It’s effectively a robotic billboard that takes your money.

A promo video for the device, above, shows the small robot on wheels flagging down a thirsty runner. You can also hail the robot from your phone to buy food or drinks, or other products that companies want to put on wheels. 

It’s not just any billboard, it’s a self-driving billboard.

Image: perceptin

PerceptIn considers this a new way to grab would-be customers’ attention (that isn’t on a smartphone, computer, or boring stationary billboard). Apparently in a 15-minute test in a commercial complex, the vehicle caught the attention of 1,000 people. Nearly 60 percent of viewers looked at the autonomous advertisement for more than 5 seconds, which PerceptIn considers a sign of being “highly engaged.”

This is something new, different, and pretty strange, so it seems like the novelty factor is contributing to engagement. If these mobile ads start popping up everywhere, it will likely be a similar story to pop-up or banner ads on the web.

The company says the DragonFly is a retail opportunity and will start selling it in the first part of 2019 for $40,000. It’s this lowish price compared to other digital billboards (this marketing site says a digital ad starts at around $10,000 for a month depending on the location) and to other self-driving vehicles that the CEO sees as a key selling point. That and its capabilities to collect location-based data showing when and where people are paying attention to the vehicle. 

Back to the price, the CEO’s got a point. Self-driving vehicles are usually super expensive. The autonomous equipment alone usually starts at around $100,000. But at least those cars can get you somewhere.

Read more: https://mashable.com/article/perceptin-self-driving-vending-machine-billboard/

Archbishop: I don’t pray for my daughter’s disability

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Image caption Katharine, Ellie and the Most Reverend Justin Welby

The Church needs to do more to hug disability and mental health, the Archbishop of Canterbury Justin Welby says, reaping on the experience of two of his daughters.

Justin – he holds we use his given name – reveals that Katharine’s mental health rigors and Ellie’s learning disabilities, had “really fetched it to the front of[ his] mind”.

He was speaking to the BBC Ouch podcast, made by the BBC’s disability team.

Sitting beside his daughters, Ellie, 24, and Katharine, 32, Justin encourages them to speak openly, even if it is difficult for him to hear.

He begins by taking Ellie’s hand – this is the first time she has spoken publicly.

Taking part in a debate on exclusion with other disabled studio clients, Ellie says: “The church I go to now, I sit at the back because I don’t genuinely feel comfortable.

“They’re very friendly in my religion, but sometimes I can feel a bit out of residence there.”

Archbishop hopes ‘not to do Queen’s funeral’ Archbishop criticises grammar schools Media captionArchbishop of Canterbury talks with daughters on disability and mental health Does the Archbishop favor listening to S Club 7 or the Backstreet Boys? Also on the reveal: Co-writer of The Vicar of Dibley and Spitting Image, Paul Mayhew-Archer, talks about lives with Parkinson’s 10 -year-old Frasier talks about the book he has published about the refugee crisis For more Disability News, follow BBC Ouch on Twitter and Facebook, and subscribe to the weekly podcast.

Westminster crash terror suspect appointed

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Image copyright Facebook Image caption Salih Khater has been appointed as “the mens” being held by police

The man arrested on impression of fright offences after a car disintegrated outside the Houses of Parliament has been reputation as Salih Khater by government sources.

The 29 -year-old British citizen, originally from Sudan, has also been arrested on distrust of attempted murder, Met Police said.

He came to the UK as the status of refugees and was granted asylum, the BBC understands.

His brother described him as a “normal person” with no fanatical ideas and no links to any religion radical.

Abdullah Khater also said his family – who are initially from Darfur in Sudan – were in “a state of shock”.

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Media captionThe car can be seen disintegrating into a barricade

Magistrates have awarded police a warrant of further quarantine enabling them to question Mr Khater until 20 August.

Three parties were injured when a silver-tongued Ford Fiesta touched cyclists and pedestrians during Tuesday morning’s rush hour.

The car then disintegrated into protection obstacles outside the Houses of Parliament just before 07:40 BST.

A man and a woman were taken to hospital after the gate-crash and later exhausted, while another man was plowed for minor injuries at the scene.

Westminster crash: Who is Salih Khater ? Raids after supposed terrorist attack What we know even further Westminster crash in photos Media captionAhmed Abdi used to visit the same shisha cafe as Salih Khater Image caption Cyclists were encountered on the ground after the crash Image caption Police have asked all the persons who saw the car before the disintegrate was put forward Image caption The vehicle was removed from the background by police on Tuesday night Media captionEx-counter terrorism chief Sir Mark Rowley told Today foreclosing onslaughts is a “shared responsibility”

Trump-backed prison reform bill to overhaul controversial ‘three strikes’ rule

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Read more: https://www.foxnews.com/politics/trump-backed-prison-reform-bill-to-overhaul-controversial-three-strikes-rule

Interview relaunch attests there’s life yet in high-end periodicals

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The news speaks to optimism at the glossiest end of publishing even as innumerable claims are struggling to get by

Four months ago, Interview magazine was closed down, entrust to the dumpster of pop culture memorabilia and detritus. Now Brant Publications has reversed that decision and is set to embark on a contentious repair of the title with a September issue fronted by the transgender simulation Hari Nef.

The turnaround, or what might more precisely be described as a relaunch, is a uncommon character in an manufacture where dozens of claims, from fashion to finance to athletics, have shut down or are struggling to get by on lessening marketing incomes and hoping to find buyers.

This month, Conde Nast, publisher of flagship entitles Vogue, Vanity Fair and the New Yorker, confirmed what it has all along been disclaimed: that the pattern booklet W, Brides and Golf Digest are up for sale, part of a strategy to slashed loss that reached $120 m last year.

Executives said the company’s turn-around strategy, which predicts a return to profitability by 2020 and a $600 m boost to revenues two years after, hinged on reducing its dependence on advertising incomes and espousing the audience in brand-new and diversified channels, including business-to-business and business-to-consumer marketing, and consulting services.

” We’ve invested in creating a data scaffold, an occasions business, and scaling our digital business ,” Conde Nast’s chief executive, Bob Sauerberg, told the Wall Street Journal .

Though recent strategic decisions, including an e-commerce enterprise that lost $100 m and abrupt changes in focus, have undercut confidence that the publisher can reform and maintain a lavish, aspirational halo, Sauerberg said the company would be able to manage subsisting expenses while reshaping itself.

” I’m investing in a more diversified future. I’m doing necessarily tough events. But we have a plan ,” he contributed, informing there could be more layoffs as cost-cutting continues. But he made no mention of any buyer or buyers for the claims- W was reportedly firstly put up for sale 4 years ago- suggesting that the brand-new round of energetic cost-cutting and reform could be a prologue to the sale of the company itself.

Interview
Interview magazine shut down four months ago. Image: Getty Images

The Newhouse family, owned of Conde Nast through Advance Publications, is in the process of restructuring its media assets.

In 2016, it ended on sales of the cable TV asset Bright House Networks for $11.4 bn in a cash-and-stock spate that made it a 13% stake in the cable companionship Charter Communications. Last month, through a 31% stake in Discovery Inc, the family ended a $14.6 bn buy of Scripps Networks Interactive, the owner of the Food Network.

But cable TV providers are facing topics, too. They insured a record 3.7% drop in subscriptions to 94 m US households last year, while the increasing numbers of cord-cutters- customers who have ever nullified pay-TV service and do not re-subscribe- climbed 32.8% to 33.0 million adults.

Declines in the cable TV business do not compare with the collapse of magazine publishing receipts, however.

Newstand magazine circulation peaked in 2007, with the sales volume of $4.9 bn. A decade afterwards that digit had dropped to$ 2bn, in accordance with the publication wholesalers News Group.

Three major US newsstand publishers- Time Inc ., Rodale, and Wenner Media- disappeared, absorbed by Meredith Corp, Hearst Magazines and Penske Media, the publisher of Rolling Stone and recent recipient of $200 m speculation stake from Saudi Arabia’s Public Investment Fund( PIF ).

The consolidation that leaves Kansas-based Meredith, which now proclaims itself the largest US magazine publisher, and Hearst in control of almost half of all US newsstand sales.

Despite hard times- reproduce publicize spending among the 50 largest advertisers fell $420 m last year, in accordance with the Association of Magazine Media- Conde Nast’s long-awaited enunciation of a strategy, along with Anna Wintour as “indefinite” creative administrator, Interview’s relaunch, and an enlargement of Dow Jones’ WSJ Magazine, are available to a measure of confidence at the glossiest result of the publishing business.

” In the publication sector as a whole there has is great over-supply trouble, and why we’ve seen such a car gate-crash in the middle grocery where advertising has almost collapsed ,” says Douglas McCabe, an psychoanalyst at media research conglomerate Enders.

” But high-end magazines with a commitment to high-end editorial evaluates, well-heeled demographics and a high-end supplying of advertise have been living in a much less volatile sell ,” he says.

Despite the slow tempo of digital evolution at the company online ad sales outdid print for the first time this year.

‘People
‘ People who trust Vogue magazine, really trust it ,’ says an psychoanalyst. Photograph: Mario Testino/ US Vogue/ PA

McCabe am of the opinion that despite the ongoing corrosion of high-end periodical advertising in the near period, it will remain” more robust than is now being implied “.

High-end advertisers are looking for the aspirational consumer, he says, and don’t find it through Google or Facebook.” The drop-off will be much smaller and much slower in high-end magazines where the consumer can still be reached ,” he says.

Moreover, he says, the expensive disappointment of Conde Nast’s e-commerce romp style.com proved to the publisher industry it can’t compete in the retail realm, as well as they know that they can’t compete with social media for commerce. At the same age, he says, luxury labels like Burberry” may be inflating in their minds what the direct-to-consumer possibility actually looks like “.

” I suspect that the big-hearted luxury and mode brands will realise over the next two or three years that high-end publications are actually very important to them ,” McCabe considers.

But since customers have options, it draws sense that publishers endeavour a wider range of options to reach their labels’ core audience, including events and numerous digital manifestations. The objective then is to turn periodicals into potent labels with a periodical factor.

” Beings who trust Vogue periodical, certainly trust it ,” McCabe says.” Peak social media has passed and people don’t trust it. So by switching programme to focus on their core reader, and not just how many millions they can reach, and then developing services to engage them in specific terms, there’s no reason why some, but not all, should do well .”