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91-year-old man beaten with brick, told ‘go back to Mexico’


(CNN)Tears glistened on the black and purple bruises covering 91-year-old Rodolfo Rodriguez’s face as he described being attacked by a group of people while going for a walk on the Fourth of July.

He’ll be turning 92 in September, Rodriguez said, and he’s never been hurt like this before, in a life working the fields with cattle and corn.
He had traveled from Michoacan, Mexico, to visit his family in Willowbrook, California, a city in Los Angeles County, his grandson Erik Mendoza said.
    He makes the trip about twice a year, and takes a walk through the neighborhood every day after lunch, Mendoza said. “Everyone in the neighborhood knows him already,” he said.
    Rodriguez said he was walking to a nearby park on Wednesday when he passed a woman and a little girl. Without warning, the woman assaulted him, he said, hitting him with a concrete block and enlisting a group of men to join in beating him.
    “I didn’t even bump into her kid,” Rodriguez said. “I just passed her and she pushed me and she hit me until she was done.”
    Police are looking for “a female suspect and three to four male suspects” in the assault, the LA County Sheriff’s Department said in a statement Monday night.
    Authorities don’t know at this time if any weapons were used or what the motive might have been, the statement said.
    “We are concerned, especially with the type of crime they committed,” Sheriff’s Deputy D’Angelo Robinson told CNN affiliate KTLA. “There was what appears to be a 4-year-old child there who witnessed the entire thing. We can’t have these kind of people like that out in the streets.”
    Misbel Borjas was driving by when she saw the woman hitting Rodriguez repeatedly in the head with a concrete block, she said.
    “I heard her saying, go back to your country, go back to Mexico,” she told CNN by phone. “When I tried to videotape her with my cell phone, she threw that same concrete block, tried to hit my car.”
    A Sheriff’s Department spokeswoman said Tuesday that police are looking for a woman seen holding a brick in a photo taken by Borjas. They did not say the woman in the photo is a suspect.
    Rodriguez said he doesn’t remember when his attacker picked up the concrete block, but he remembers being hit repeatedly. At one point, he says, the woman ran up to a group of men nearby and told them Rodriguez was trying to take her daughter away from her — so the men joined her and started kicking him as he lay bleeding on the sidewalk, Rodriguez said.
    “But that’s not true,” he said, through tears. “In the years I have been alive I have never offended anyone.”
    Mendoza said his grandfather suffered a broken jaw, broken cheekbones, two broken ribs and bruises on his face, back and abdomen. He spent five or six hours in the hospital, he said.
    The family has started a GoFundMe campaign to help cover Rodriguez’s medical costs.
    As his grandfather laid back in a reclining chair at the family home, wearing a white T-shirt and blue plaid pajamas, Mendoza kissed him on one of the few places he hadn’t been injured: the top of his head.
    “We think we have an idea (on who the suspects are) but I just want police to find them,” Mendoza said. “That’s all our family wants, justice for our grandpa.”

    Read more: https://www.cnn.com/2018/07/09/us/mexican-man-beaten-brick-los-angeles/index.html

    Nick Jonas Declined His “Find You” Music Video& We’re All Freaking Out


    OMG, you guys. Today is already a big day. Nick Jonas’ “Find You” music video is eventually here, and it’s actually, really good. Nick Jonas, the international soldier of sex, is always surprising us with brand new music, and this time it’s something entirely, absolutely classy. Jonas’ brand-new ballad, “Find You, ” is the sort of gentle pitch to get you in the mood to hop on the beach with a bunch of attractive strangers. Jonas does that in the music video, and it is truly inducing for me. Can I do that? Is that what a beach day with Jonas is like? If so, sign me up.

    Jonas fell “Find You” on Sept. 14, 2017, and the entire world started bobbing their thoughts. We know where to find you, Nick Jonas. You can find him on the radio until forever because this song is catchy AF, y’all. So what does this music video really signify? Who is it about, and why is he driving an expensive automobile so close to the ocean? Watch out, dude! One of the melodics tells, “I look for you in the center of the sun.” I have no clue what that could intend, but do not looking instantly at the sunbathe, beings. It’s not worth it to merely find a riddle daughter that keeps secreting from you. No way.

    This is Jonas’ second song to come out this summer, and we aren’t mad about it. The anthem, “Remember I Told You” was the catchy arium released in May. It boasted Mike Posner and Anne Marie, and it showcased Jonas’ sultry voice. Mama like. Both songs are completely different, but these are sensual.

    One thing is for certain, Jonas knows how to connect with his followers. In October of 2016, he told

    Heartbreak is a theme that a lot of beings relate to — the challenges of the next steps in their own lives, and when some doors close, and how you approach the next ones opening … I determined pretty quickly that it was a lot of what my fans could relate to. It’s nerve-wracking when[ the appears] are as personal as the ones that I shared were. But I seem alleviated when I use my writing as a channel to treat — it’s exceedingly therapeutic.

    Jonas is getting deep, and I like it.

    Here are more lyrics to deeply analyze 😛 TAGEND

    I took a capsule but it didn’t facilitate me numb
    I see your look even when my seeings are shut
    But I never truly know where to find you

    I taste the words that keep falling out your mouth
    If I could love you I would never put you down
    But I never certainly know where to find you

    Where to find you
    Where to find you
    But I never really know where to find you
    Try, try, try
    Try, try, try
    Try, try, try
    But I never really know where to find you

    I’m guessing, on the basis of the music video, Jonas is stumbling through a sweltering, steamy desert all alone, and finally meets the beautiful California coast. Although one would assume the first stop “wouldve been” instantly into the giant body of water, Jonas instead moves with all the beautiful women on the beach. Hey, we all have our priorities. Is he looking for that special woman “hes losing” long ago? Is he searching for himself? Oh, Jonas. You are a strange man.

    At the end of the video, Jonas rushes into a Lyft on the beach and leaves. Yes, he gets into a freakin’ Lyft. I couldn’t think it is either, but it happened. Does that have implication, or is it cunning commodity placement? Probably a little bit of both, candidly. Although Jonas never seems to find who he’s looking for, the music video is a delicious treat.

    Now, let’s all get out there and shake our hips to this sexy little song and find our inner disco! Afterall, we’re all looking for something.

    Check out the entire Gen Why sequence and other videos on Facebook and the Bustle app across Apple TV, Roku, and Amazon Fire Tv .

    Elle Fanning:’ It’s a task, but it’s also about dressing up and professing’


    The actor goes back to her southern roots for the gothic chiller The Beguiled. She talks about ripening pains, stagecoach mothers and the joyfulnes of playing the bad girl

    Once upon a occasion, a young ingenue took a journey across Los Angeles to meet Hollywoods equivalent of the large-hearted bad wolf. The controversial Danish director Nicolas Winding Refn was casting the lead role in The Neon Demon, a terrifying fiction of the fashion industry, and is concerned that nutritious Elle Fanning might not be tough enough to stay the course. So Refn questioned her out of the blue if she envisaged she was beautiful a question deliberately are aiming to journey her up and move her wiggle. The tactic succeeded. But exclusively up to a point.

    In the end I said yes, Fanning reminisces. I said that yes, I did feel I was beautiful. Because I knew it was a test, he was trying to get me to crack. And I thought that this was what I should say, what the specific characteristics “ve said”. And it was right, it made, because I got the part.

    It was the remedy answer for Jesse, the pristine protagonist of The Neon Demon, who floated her road through an LA inferno of vampiric runway patterns. But maybe it says something about 19 -year-old Fanning as well, who has spent a lifetime in Hollywood and managed to develop similarly unsullied. Its not that I dont anticipate ghastly things can happen to young performers in Hollywood, she holds. I know they certainly do. Ive merely been very fortunate that they havent happened to me.

    We meet inside a beachfront hotel during the course of its Cannes film festival, where sunlight leapings off the marble walls and motorists toot their trumpets in the street down below. Fanning, it transpires, has been in town all week, attending a variety of events in a variety of wears. Her array of stylists refer to themselves as crew unicorn, as though they are administering to the needs of some mythic animal. Today, they have applied her in a sheer dress of such perfect whiteness that one fairly anxieties for safety and security; a sigh of air might irreparably discolour it. Dont worry, a publicist murmur in the actors ear. We can get you changed before you go to lunch.

    Fanning territory her first acting job at the age of two and has been working steadily ever since. She points out that her latest film, The Beguiled, is actually her first role as young adults; the first in which she was not required to have her mum accompany her on the established. So that stimulates it a very special film for me, she replies. It was a flavour of impunity. Figuring it out. Ripening up. She gestures down at her 5ft 10 in chassis. Emotionally , not physically. Im tall enough as it is.

    In The Beguiled, Fanning has even moved away from playing the innocent to playing the wolf. Sofia Coppolas film is a juicy southern melodrama, covered in spanish moss and thrumming with sexual tension. Nicole Kidman stars as the upright headmistress of a Virginia girls seminary; Colin Farrell as the wounded civil campaign Union soldier who initially thinks he has found heaven. Fanning, as befits her freshly adult status, gives firecracker subscribe as Alicia, the oldest of the girls, who plagiarizes away from the dinner table to weed a kiss on the soldiers mouth. We can show him some real southern hospitality, she coos to her friends, shortly before the movie tones towards outright bloody-minded horror.

    Watch the trailer for The Beguiled

    Fanning adored becoming The Beguiled, and her interest is virulent. She talks in a downpour, like a river in batch, merrily exploding the banks of each individual question to the spot where I am tempted to discard them altogether. She answers she basked playing the bad girlfriend, although is Alicia really so bad? She is just and hormonal; anyone that age might have behaved the same lane in her caste. Fanning adds that she cherished acting alongside Kidman, “whos had” been her idol for years; Moulin Rouge is one of her all-time favourite cinemas. Likewise, shes tall. And Im tall, she mentions. Tall actresses are few and far between. Theres Uma Thurman, Nicole Kidman, I think thats about it, so weve got to stick together.

    Most of all, it seems, she affection working with Coppola, who as writer-director conspires to make a astute feminist spin on Don Siegels original 1971 slide. Fanning points out that she last-place collaborated with Coppola on the refined, minor-key Somewhere back in 2010, when she played the sugary, soulful daughter to Stephen Dorffs car-crash Hollywood actor. So this film was like starting full circle; an amazing experience, she gushes. Sofia has this practice of operating that, like, meets right from her mind, she enunciates. And its a very elegant, graceful path of driving and shes very respected and shes had all this great success, but what I admire is that shes done it extremely tastefully, with mercy and knack and invention. Shes actually caused special stamps and you cant recreate it. And this film clearly has her stomp, but its different, extremely, as they were blood in this movie, which is crazy, right? For her, right, its crazy. She gulps a breather and accumulates herself. She responds: But she does it with elegance.

    Fanning was born in smalltown Georgia, “their childrens” of southern Baptists, but took off for the west coast when she was barely out of nappies. In a sense, she clarifies, the family was simply razzing on the coattails of her older sister, Dakota, who was already assuring characters alongside Sean Penn and Reese Witherspoon and has since gone on to forge a successful career of her own. You can see her in Twilight, War of the Worlds and Kelly Reichardts excellent Night Moves.

    The way Fanning Jr tells it, she and Dakota were always playing make-believe in their bedroom. Playing was merely an extension of that. Even when I was really young, I always knew it was acting. I signify, I did a movie called The Door in the Floor with Jeff Bridges when I was four and I always knew it was just feign that Jeff Bridges wasnt actually my papa. And yeah, I know its a chore, I know that its serious. But its also about dressing up and pretending.

    Its an prospect which seems to have acted her reservoir. On screen, right from the start, Fanning has been a spookily nuanced performer, possessed of a quiet severity that instead belies her off-screen burblings. She played a stoic wanderer in JJ Abramss Super 8 and rustled up a heart-piercing concert as an angst-ridden British teenage in the acclaimed Ginger and Rosa. I loved her as Jesse, the aspiring young prototype in Refns sugar-frosted horror evidence, but I too enjoyed her as the chaste best friend in Mike Millss 20th Century Women. Fanning grew up in public and she has established it look painless although she is speedy to contend this is not just always the case.

    Fanning with Ryan Lee and Gabriel Basso in 2011 s Super 8. Photograph: Allstar/ Paramount Pictures

    When I was 12, I flourished seven inches in a year. And it hurt every day. On Somewhere, I proliferated two shoe sizes during filming. And I would pass out a lot because I hadnt transformed into my body. So that wasnt a great time. It emphatically wasnt painless.

    If she weighs that as tendernes, I suppose she got off very lightly. I am not even sure I quite believe her. Isnt the life of a Hollywood child star meant to be a DayGlo gothic nightmare, a kind of prolonged dress rehearsal for Whatever Happened to Baby Jane? I want to hear about the shrieking youngsters at the open-call moldings; the snatch parents who plunder their girls bank account. I have spoken that Fannings mother threw in her place, moved their own families to LA. Please tell me she has been pushy and controlling at times?

    Fanning, though, is having none of it. Mothers in the industry get a really bad name, she replies. Which is so not fair, because my mother is amazing and she relinquished so much with her life out in Georgia, which she gave up to do this beautiful event which is following small children dream. So I hate that thought. I dislike that theme. Without my mother, I wouldnt is right there, I wouldnt even know what I was doing, maybe. I had the indulgence of knowing what I want to do because of her.

    It ten-strikes me that the logic of this last-place announcement threats undermining her statement, but never mind. Time is ranging short and Fanning is back on a roll; she is the river in spate. She tells me that she comes from their own families of players. Her mum played tennis, her dad played baseball and her maternal grandfather was a quarterback for the Philadelphia Eagles.

    I have the boasts drive, she enunciates. Its in my blood; I cant help it. Actors and jocks are similar, I speculate. You define a point for yourself; youre ready for certain challenges. You prepare for the parallel or youre getting ready for the character. The adrenaline when you have a big vistum to do is huge. I felt that mode when I was moving Somewhere. I felt that route when I did Ginger and Rosa, when I was 13 thats maybe the character that symbolized the most for me, because I thrived as an actress on that film and I seemed much older at the end of it. I had a British accent in it. I dyed my mane red-faced, when I had always been blonde, and so I didnt feel like myself at all. Something clicked. I envisioned: Oh, this is what acting is supposed to feel like.

    Her southern heritage is important to her, but these days she suspects she has left it far behind. Fannings grandmother still living with the family and is a ended southern belle, very thick-skulled accent. Her mothers, extremely, still sometimes pine for residence. She shakes her pate. But LA is my home; Im a California girl. Having foreman west to strive her fortune, she has now staked her say. The present is rosy-cheeked and the future examines golden.

    Fanning was explained that the initial move to Hollywood was moved in the minds of the adventure. It was a enjoyable pedigree diversion; not “ve been meaning to” last-place. My sister suggested that it like were still on this trip to LA and that one day soon well all go back to Georgia. But its been, like, 16 years now. And I say to her: Watch, this is us, this is our life. I say to her: Seem, we are never going back.

    The Beguiled is out 14 July .

    The solar-powered cart that they are able cost 80 cell phone at once


    ( CNN) Henri Nyakarundi never required a job.

    Born to refugee mothers from Rwanda, he grew up in Burundi until civil battle again forced the family to move on. Relocating to the US, Nyakarundi investigated computer science at Georgia State University and by 19 had founded his first start up.

    Australia: 5 dead as gondola intentionally plows into crowd in Melbourne


    ( CNN) A 10 -year-old girl and a three-month-old newborn son were among five people killed when a operator intentionally extended over pedestrians in a busy street in central Melbourne on Friday.

    Photos from the incident established wreckage of a baby’s pram atop the car’s bonnet, as emergency workers attended to disabled people nearby on the ground.

    Getting Into Miamis Latest Hot Club Will Cost $350,000


    Miami, a city famous for its mind-numbing traffic and slow-cruise culture, is lately looking like the best city for cars in America.

    Soon after Formula One won its bid to hold a race there next year and Grand Basel announced it’ll have an automotive event there in February, two developers have solidified plans to build a $220 million racetrack and private members club just 11 miles from Miami’s artsy Wynwood district. 

    Set to open at Miami-Opa Locka Executive Airport in May 2019, The Concours Club will offer more than 2 miles of racetrack designed by Alan Wilson, plus an infinity pool and jacuzzi, full spa and a , wine and cigar storage, restaurant and bar, and full concierge services.

    The Concours Club uses a separate entrance and house for the inevitable corporate-sponsored track days, which always spring up on premier tracks and dilute the exclusivity experience for members. Let’s just say that if you’re keeping your Hennessey Venom F5 parked there for flying at 180 mph down a back straight, you don’t want to have to dodge a group of reporters testing out Audi’s latest station wagon.
    Source: The Concours Club

    “The amenities are what set us apart,” said co-founder Neil Gehani. “We want to be sure we bring in the right people, and then we want to keep everyone here once they get here.”

    Gehani and co-owner Jay Pollak will offer 40 founding memberships costing $350,000, with no annual dues. Founding members will then invite friends and colleagues to buy “legacy memberships” capped at 150 people. Those will cost $125,000 plus annual dues. Corporate memberships may be offered shortly after the initial opening.

    If that all sounds like a steep ante, it is. But it’s consistent with the pricing of other private tracks around the world such as the Thermal Club outside Palm Springs, Calif., and the Monticello Motor Club, set in the lush Hudson Valley of upstate New York. And, to put it in perspective, it’s less than the cost of even one of the cars—a Pagani Zonda costs $1.4 million, for instance, and a Koenigsegg Agera costs $2.1 million—owned by the prospective members, who will be a mix of wealthy international collectors and local, well-connected driving enthusiasts.

    Amenities include a members clubhouse, a skidpad, a kart circuit, real estate offerings, driving simulators and training, and an on-site tuning shops. 
    Source: The Concours Club

    “This is a niche within a niche, but it’s a crucially important one, because as the face of motoring changes, the top end is going to consolidate and will always have a market,” Wilson says. He recently returned to the U.S. from working on several racetracks in Europe. “It’s like if governments come in and say all restaurants have to be vegan—there will still be people who want to have steak. There will always be a market for steak,” he says.

    South Florida’s Appetite

    Miami is an emerging global luxury capital, sitting 14th of all world cities in overall wealth, according to Knight Frank’s 2018 Wealth Report. South Florida in particular dominates the top-end real estate market, where contracts signed for luxury Miami Beach condos—defined as the top 10 percent of the market—rose 92 percent in price in the first quarter of this year, according to data released by real estate company Douglas Elliman and appraisal firm Miller Samuel Inc. In mainland Miami, total contracts for luxury condos at the end of March were up 22 percent in price over last year.

    Six-figure sports cars and million-dollar hyper cars, not to mention collections easily worth tens of millions of dollars, fold easily into that expanse of wealth. With new energy from F1, Grand Basel, plus massive annual shows like DRT and the Amelia Island Concours d’Elegance, the enthusiasm around beautiful vehicles and motorsport in Miami is at a fever pitch.

    Pollak, who’s in charge of setting the lifestyle and culture component of the club, led the team that produced such films as ,  ,  and  .
    Source: The Concours Club

    “The car culture here is amazing,” said Gehani, a Chicago-based collector who’s visited Miami regularly for 15 years. “It’s truly international, with a real passion for cars that is only getting bigger. They say people go to Florida to die—but people come to Miami to live.”  

    Years of Quiet Planning

    The founder and chief executive officer of $1.7 billion Trilogy Real Estate Group, Gehani spent 18 months searching for the perfect real estate for his track and evaluating the competition. Then in 2016 he linked up with Pollak, the co-founder and executive producer of the Reserve Label, a media and marketing studio, and they contracted Wilson, who earned his stripes creating the tracks at Thermal, Miller Motorsports Park, and Ningbo International Speedpark.

    The Concours Club is unique among the many other localized tracks across the U.S. primarily because of its location: It’s close enough to, say, Brickell, Miami’s financial district, to get there during a work lunch. Most tracks have to be located further from urban centers because of zoning and noise ordinances. For the Concours Club, those were already settled with the presence of the adjacent airport. 

    “A good track has got to be challenging and technical, and it’s got to be something you don’t get tired of,” Gehani says. “It’s got to be something you can never master.”
    Source: The Concours Club

    “In this market, it’s location, location, location squared,” Wilson says when asked why he chose to take on the Miami project. “If you drive around the heart of Miami, you see a lot of sexy sports cars, but those guys aren’t really driving their cars. There are no roads.” (It should be noted there is a 1.5-mile oval track called Homestead-Miami Speedway, a home for Nascar and IndyCar racing, 40 miles outside Miami.)

    “We have no real driving roads,” agreed Al Rodriguez, a longtime prominent figure in the Miami Porsche car scene. “The culture here is fueled by people from South America, where there is a humongous car culture, especially in Argentina. They’re into rallies and driving. For them to get up and go driving on a Sunday morning for two hours, that’s what they do. So ultimately what this club is doing is it’s going to create habits to go out and drive. It’s what as a community we need.”  

    “Yeah, it’s high end. There’s no question about it,” says Wilson. “You target your market, and that’s exactly what Jay and Neil have done: For the top-end enthusiast, the location there is no better location for what this is anywhere in the world.”
    Source: The Concours Club

    Real Luxury Experiences Needed

    Of course, once you get people to the track, the best business model would also work to keep them there. That’s the goal here, which apparently is a novel idea in the sector.

    “It’s not just the driving, it’s the lifestyle,” Gehani says, adding that he’s spending $16 million on the clubhouse alone. “I’ve been to tracks where you want to fly in, you want to entertain, but it’s embarrassing. My wife flew into Autobahn Country Club, checked it out, and said, ‘I’ll see you never.’”  

    Gehani and his team are promising lawns, lounges, locker rooms, driving simulators, car storage, full servicing and maintenance, racing bays, and even pit lanes. Members will be chauffeured in a concierge car directly from the tarmac next door or, say, from Faena Hotel Miami Beach, to the secure exclusivity of the Concours Club, an invitation to join the club states.

    The North Paddock. The track will be open from 8 a.m. to 10 p.m. every day of the year, with 24-hour security. 
    Source: The Concours Club

    Those laps promise to be challenging, if not fast. The track has 17 turns, including three extreme hairpins, and multiple elevation changes.

    Top speed isn’t necessarily the point. As Wilson says, it’s better to be interesting than easy.

    “It’s like a golf course—I’ve deliberately put bunkers where the incompetent like me will always land a drive,” he says. “That means you play and you play and you get up and you say, ‘Man, I could do better.’ There’s no reason ever for members to get bored.”

    Invitations for the 40 founders start in July.

      Read more: https://www.bloomberg.com/news/articles/2018-06-28/the-concours-club-is-miami-s-new-super-car-club

      Rob& Chyna: the saddest demo on TV


      The format of this dreadfully dull show is identical to other persons of the Kardashian empire: wearisome stages of parties sitting in kitchens not dining cheese plates

      Is there a less qualified actuality display star than Rob Kardashian? If you lined up 10 people from the shedding record of A& Es Intervention and Rob Kardashian and had to choose one to base an ongoing television series around, would you ever pick him unless people know his last name? Isnt this a tragedy? Shouldnt we all be more disturbed?

      Sunday nighttimes debut of the new E! series Rob& Chyna observes the income of the black sheep Kardashian to the public eye. Hes expended years of his life unwilling to leave his room, which justification him to amplification( his statements) a traction of weight. He gazes little comfy reaching attention linked with other human beings than the little orphan daughter Newt from the movie Aliens. A Los Angeles Dodgers hat covers whats left of the poor people thin, matted mane. His wardrobe consists of T-shirts , nondescript jeans and sneakers. In other paroles, when I watch this astoundingly depressing program, I investigate myself and what I might become( minus the millions of dollars ).

      The first few minutes of Rob& Chyna intend to move us sympathize with Rob and his pregnant fiancee Blac Chyna. As an digression, isnt it a little bit ghoulish that Blac Chyna proceeds almost entirely by the call Chyna in the first episode now that the original Chyna the former WWE wrestler has died? Its like ransacking through people jewelry after a funeral.

      Regardless of what you call her, Blac Chyna is the actual stellar of this indicate, even if her name is second on the pavilion. She came up from the world-famous row clubs of Atlanta and became something of an entrepreneur, at least in accordance with the rules that we define that term in 2016. She took the Kardashian template of monetizing tabloid infamy through a sect of temperament social media ubiquity, labelled produces, and now, the final article of the problem, an E! actuality franchise. Shes become a major supporting player in the ongoing Kardashian meta-narrative having a baby with the rapper Tyga, who then leaves her for Kylie Jenner, which leads to Chyna link coerces with Rob. Whether or not her relationship with Rob is genuine or a calculated effort to increase her paying potential is not for me to decide (* cough its bullshit cough *) but what is is whether or not this TV show is good. Its not.

      Rob& Chyna: disappeared with the wind. Photograph: E!

      If your litmus test for fastening with a programme designed is answering the issues to does someone fart within the first 10 minutes with a yes, then Rob& Chyna is for you. Spoiler alert, Chyna farts in the car. If you prefer a little bit of drama, then maybe flip over to another channel. Or shed your cable chest or streaming device into the nearest open body of water and stroll into the town square. Either one is fine with me.

      The format of this painfully dull show is identical to the other outposts of the Kardashian empire: interminable panoramas of parties driving indulgence autoes on featureless freeways, be standing kitchens not eating cheese illustrations, or folding clothes for a business journey that are able to or may not ever happen. During these incidents, mush-mouthed pod people debate some ill-defined conflict. Someone needs to go to rehab for a vague problem. Somebody must text someone back about a situation that happened off camera. Person looks disrespected. A party invite is lost in the mail. Watching these establishes is like speaking “the worlds largest” banal email thread at 3am. Plug sad-eyed agoraphobe Rob Kardashian into this format and you have a remedy for insomnia so potent, the Food and Drug Administration should regulate it.

      The ostensible plan of this escapade revolves around Rob alleging Chyna of texting people behind his back. He declares this to be the case because he discovers that Chyna has changed the passcode on her iPhone. He even insinuates that shes robbing up with her ex, Tyga. All of this takes plaza with Rob spread out comfortably on a plot. Chyna disavows any immorality, then accuses Rob of contacting maidens behind her back. He apparently declares it, which I vaguely recollect before my eyelids glued shut for the evening. It must be the case, because the very next panorama is Chyna in another expensive car screaming at Rob to stop texting bitches.

      These are the moments one watches actuality Tv for aggressivenes, incoherent call and profanity. This is why I favor the Andy Cohen Bravo model for reality over the ponderous Ryan Seacrest/ Kris Jenner indulgence gabfests. Contrast Rob& Chyna with Bravos Below Deck, currently on its fourth season and with one spinoff under its loop. Below Decks premise is simple: apply a bunch of attractive deckhands on a mega-yacht, ply them with alcohol, and encourage them to melt down every occurrence. Would you instead watch that or a establish starring people very far-famed to prepare proper fools of themselves for your amusement? The reaction is, neither, Im a grownup who is too busy adding value to the culture to debase myself with such playthings, but dont fret, I picked the show about yachties drunkenly hooking up too.

      I will say that the producers of Rob& Chyna( which include the titular Rob and Chyna among their grades) do try to spice concepts up. Scott Disick appears in the role of Robs only friend in the whole world and his chauffeur, schlepping him around Los Angeles like a pasty white-hot Morgan Freeman from Driving Miss Daisy. Theres a memorable stage where Rob walks into Chynas home in full Eeyore mode, carrying blooms to apologize for texting bitches. Chyna isnt having it, grabs the flowers, grubs them in a consortium, then knocks Rob out of her residence. This is the turning point of the suspect tale, as the remainder of the chapter involves Chyna trying to get Rob to text her back, as she has seemingly forgotten that she screamed at him to leave her alone while pee-pee all over his nostalgic gesture. Im sure Rob Kardashian, AKA Calabasas Morrissey, truly took that well.

      Finally, Kris Jenner, matriarch of the expansive Kardashian family and former nemesis of Blac Chyna, appears to counsel Chyna on how be addressed with Rob. Jenner is shown to be so prudent that I half expected her to have grown a whisker, picked up a large rod, and hurled on a pointy hat off-screen. Much has been made of how Blac Chyna is so cunning and took down the Kardashians by getting engaged to Rob. Thats a neat little underdog narrative, but if you think that Kris Jenner isnt ingeniou enough to use this to her advantage and will be the eventual winner of this dim-witted game, then you arent paying attention to the testify. Thats fine, since it probably became you pass out from apathy, but the facts of the case remains that one of the last faces you see in this first occurrence is Kris Jenner. The whole stupid initiative is hers and hers alone. Chyna can have a piece, as long as she pays her taxes to her feudal lord.

      And they are Rob. At last, they found a course to monetize his mopey appearance and wrinkled clothes. Instead of a Shrek-like animal they deter locked away in a basement, he has his own show, which simply furthers the attainment of the objectives of their own families. In exchange, this guy who likely has real clinical depression has to pretend to be a TV sun. By collision, E! has stumbled upon the saddest prove on tv, so filled with existential hopelessnes that youd premise it was drummed up by a government-funded novelist in some mushy Scandinavian country over a bottle of inexpensive scotch. If “youre watching” more than one of these occurrences, youll probably find yourself not leaving the house for years, just like Rob Kardashian.

      Romanian ‘poster boy’ died in car crash

      Image caption Victor Spirescu had drunk alcohol and taken cocaine before the gate-crash on 15 January

      A man dubbed the “poster boy” for Romanian migration to the UK died in a automobile crash after taking cocaine and driving in excess of 100 mph while disqualified, an inquest has heard.

      Victor Spirescu was the first Romanian to arrive in the UK to work when EU regulations changed in 2014 and was met by a media scrum at Luton Airport.

      Milton Keynes Coroner’s Court sounded the 33 -year-old was not wearing a seatbelt when he died on 15 January.

      He croaked of multiple fractures.

      Image caption Victor Spirescu( right) was greeted by politician Keith Vaz( left) at Luton Airport on 1 January 2014

      The court sounded Mr Spirescu, who was living in Milton Keynes, was driving a black Mitsubishi Galant with his friend, Eugen Condurache, in the fare seat.

      In a witness explanation, Mr Condurache indicated that they are driving to the stores to buy cigarettes when Mr Spirescu told you he would indicate him a “proper doughnut” – a manoeuvre where a vehicle is spun 360 stages, leaving a hoop of tyre marks.

      He read Mr Spirescu was not wearing a seatbelt and was walking between 100 -1 10 mph when the car initiated to roll on Chicheley Hill, Newport Pagnell, at about 04:00 GMT.

      “He was calling in a panic. He knew something was going to happen, ” Mr Condurache said.

      The car then crashed into shrubs and Mr Spirescu was thrown out of the vehicle.

      A passer-by stopped and announced emergency services, but Mr Spirescu succumbed at the scene.

      Victor Spirescu: The appearance of Romanian immigration

      Romania assembled the EU alongside Bulgaria in 2007, but restricts were imposed by some level of member states on beings from these countries.

      In Britain, prospective boss had to apply for work permits and Bulgarian and Romanian migrants for an “accession worker card”. Low-skilled workers were restricted to existing quota schemes in the agricultural and food processing sectors.

      On 1 January 2014, these restrictions were hoisted and Romanians and Bulgarians were free to work in the UK.

      There was a media hysterium provoked by claims Britain would be inundated with migrants but on the day journalists found only one person recruiting the two countries from Romania – Victor Spirescu.

      He was greeted by the Labour MP and then Chair of the Home Affairs Select Committee Keith Vaz.

      “I don’t come to rob your country. I come to work and then going to go, ” Mr Spirescu remarked. “Here you offer a lot; in Romania it’s extremely cheap.”

      His face was portrait in various newspapers the following daylight who labelled him the “poster boy” for Romanian immigration.

      Andy Evans, forensic conflict examiner for Thames Valley Police, said the car’s MOT had expired and Mr Spirescu was disqualified from driving at the time.

      Pathologist Dr Jenish Patel spoke Mr Spirescu’s cause of death was multiple ruptures, with his intake of cocaine and booze contributing factors.

      Senior coroner for Milton Keynes Tom Osborne said it was “fortunate no other vehicles were involved” in the crash.

      Mr Osborne inferred Mr Spirescu succumbed as a result of a road traffic collision.

      Related Topics

      This Week in the Future of Automobiles: A Fatal Uber Crash, and a Tempest of Topics


      If you’ve squander enough time with the people improving self-driving vehicles, you’ll know they’ve seen this coming for a while. No material how good the tech , no matter how much better than humans it might be–eventually, everyone agreed, someone would be killed.

      Still, when a self-driving Uber struck and killed a 49 -year-old woman named Elaine Herzberg in Tempe, Arizona, on Sunday, it seemed horrid. Video released by the Tempe Police Department this week doesn’t tell the whole story, but expresses something went wrong with Uber’s tech. And it creates a whole lot of fresh doubts.

      Will this set back the industry? Ramp up calls for regulation? Force companies to rethink the space they use the safety motorists who monitor the vehicles on public roads? Launch a much-needed national talk on how to make all streets safer, regardless of what’s driving on them? Now we wait.

      There were neat circumstances the coming week, too. For speciman: Elderly writer Jack Stewart got to test drive the Tesla Model 3( and mash himself inside its surprisingly roomy trunk ). Let’s get you caught up.


      Stories you might have missed from WIRED this week

      After an Uber self-driving car killed a woman in Arizona last weekend, we wondered how it would affect the future of the technology’s growing. Then, the video demo the gate-crash came out. Why wasn’t the tech functioning the behavior it should? There are more themes than answers.

      A related question: Why are pedestrian demises on the increase in the US? Contributor Nick Stockton talks to investigates scrambling to figure out what’s going well, and probes their hypothesis: smartphones.

      In other grim news, a pedestrian bridge collapsed in Florida last week, humiliating various gondolas on the road below and killing six beings. In the consequence, lots of digits objected at the “Accelerated Bridge Construction” technique utilized here. But, I report, ABC is nothing new–it’s been used for decades, to build bridges all over the world.

      This week, Tesla’s stockholders approved a new compensation package for CEO Elon Musk, making sure this is the only way get paid if he stumbles a series of hugely ambitious revenue and profitability objectives. Alex covered the spate when it was firstly proposed in January, and explains how the crazy-sounding hope is less a bet on Tesla than it is on Musk as the man who can navigate a rapidly changing auto industry.

      Jack spent a few daylights with Tesla’s Model 3, subjecting it to repugnances like life in Los Angeles traffic, desert intersects, and mountain climbs. Apart from the occasional defect, he affection the car. Now, Elon Musk only has to figure out how to build enough of the damn things to move everyone else as happy.