Lance Harbor, the golden-haired quarterback of the West Canaan High School football team, tip-off his blue and white-hot Coyotes hat as he places the bully pep rally crowd. “I was lying in bunked last-place darknes, ” he starts, high-pitched screams spewing in the auditorium. A smile flashes across his face. Harbor licks his lips and jokes about his dream, in which his unit suppress their upcoming rival. Followers cheer with enthusiasm. He sheds up the “love” sign, marches off theatre and gets an approving pat from his coach.

While casting the 1999 teen flick “Varsity Off-colors, ” director Brian Robbins looked long and hard for an up-and-coming actor who are likely encompass all aspects of Harbor, a wizard athlete who have fallen victim a heartbreaking injury mid-season.

Soon enough, Paul Walker strolled into his audition room — and he was perfect.

“It was really about finding an actor who could reach that reference come to life, ” Robbins , now the president of Nickelodeon, told HuffPost. “And I can flat out tell you, when Paul Walker came into the casting session, the throw chairmen all died. He was just so handsome and charismatic that every one in the building sort of fell apart. He exactly represented that reference the instant he marched through the door.”

Several people who worked with Walker told HuffPost that the actor, who died at persons under the age of 40 in a regrettable 2013 car gate-crash, was also down to earth, friendly and genu — a California boy who would rather shark dive than is currently under any hifalutin Los Angeles party. Fame was not something he ever chased, but his flair and good looks conducted him to eventually become the face of a billion-dollar film franchise.

Paul Walker at the premiere of “Pleasantville” in Los Angeles, California, in October 1998.

“Paul was just so next-level hot that he was sort of intimidating in his own way, ” his “She’s All That” co-star Rachael Leigh Cook told HuffPost. That might explain why he was frequently cast as the fairly boy jock in the late 1990 s. Within the distance of three months, the then 25 -year-old single father( of a young daughter, Meadow) appeared in a trio of teen-focused cinemas that made him on the map: “Pleasantville, ” “Varsity Blues” and “She’s All That.” Walker had that thing, Robbins said, and fully leaned into his laidback West Coast vibe to realize his commemorate as one of several performers on the long directory of on-screen “golden boys.”

In 1999, dozens of iterations of the jock touched the big screen. There was Seann William Scott’s over-sexed, foul-mouthed Steve Stifler of “American Pie, ” Andrew Keegan’s vain aspiring simulate Joey Donner in “1 0 Things I Hate About You” and David Arquette’s problematic man-child Rob Geller in “Never Been Kissed.” But Walker stood out in this sea of dudes, chiefly because his iterations playing with the audience’s possibilities of the stereotype. Each of his reputations represented a different level of “the jock” and subverted the idea of what it means to be handsome and favourite in “schools “. He represented a courteous hunk, an inspired quarterback and a horny motherfucker, applying his own form to give them depth and entreaty.

Walker was raised by his parents, simulation Cheryl and sewer contractor and boxer Paul Walker III, in Sunland-Tujunga in the San Fernando Valley alongside his three younger siblings. As a cute, affable kid, he booked a few commercial-grades and eventually went on to appear in TV demonstrates in the ’8 0s and ’9 0s, including “Highway To Heaven” and “Who’s the Boss? , ” as well as the soap opera “The Young and the Restless.”

In his early 20 s, Walker started getting ceaseles summons from proposal collectors and decided that a return to acting was a good way to earn some cash, according to the Paramount documentary “I Am Paul Walker.” He signed with a administrator, Matt Luber, experimented for a few films and almost immediately booked the role of high school basketball star Skip Martin in Gary Ross’ “Pleasantville.” It was a good get for a reasonably newbie, but shedding head Debra Zane said hiring Walker was a no-brainer.

“He was absolutely adorable, ” she told HuffPost. “Very open , good-for-nothing to hide, a tremendous amount of confidence, but equal sums kindness. He waited in the waiting room alongside Keri Russell and when Keri left, Paul told my helper he recollected Keri was beautiful and that he was in love! He was quite dreamy himself.”

That “dreamy” look was perfect for the capacity in 1998 ’s “Pleasantville, ” which follows polar opposite siblings, individualist David( Tobey Maguire) and popular Jennifer( Reese Witherspoon) when they are get magically zapped into their ’9 0s television set and is incorporated into a black-and-white ’5 0s sitcom. The inhabitants of “Pleasantville” are peppy, simple-minded folk; one of them being perfect gentleman Skip, who eventually falls for Jennifer and her rebellious roads as the imaginary town experiences a sex and scholastic waken.

As Skip, Walker’s aura was immediately apparent. In an early background, he’s garmented in a crisp white-hot button-down shirt and letterman sweater as he confidently struts into a diner and stares into Jennifer’s eyes. “I don’t know if I ever said this to you before, ” he tells her, “but, well, I think you’re just about the keenest daughter in the whole school! ” He then tells a cheeseburger and a cherry Coke, his smile glistening.

It’s one thing to play a ’9 0s teen jock in a ’9 0s teen movie, but tackling this role, especially as a foray into large-scale fund Hollywood, was surely a challenge for Walker. He played a character who is a caricature — going from an obliviou, sweet-natured guy to a typical sex-hungry doofus in 90 hours. It was an opportunity for Walker to postulate himself in the industry and show what he could do with a small supporting role.

His hard work paid off. Robbins took notice and cast Walker as Lance Harbor in 1999 ’s “Varsity Blues.” Lance, the town’s hoarded quarterback, sustains a career-ending knee injury and is knocked out of the Texas high school football season ahead of championships, benchwarmer Jonathan Moxon( James Van Der Beek) the chance of a lifetime.

Robbins needed person with the potential to rise to the level of Van Der Beek, who was the most well-known young actor at the time due to the success of The WB’s “Dawson’s Creek.” And Walker proved he could be the perfect foil to a big-name celebrity.

“It wasn’t about observing movie stars. It was really about finding actors who are capable of realize those attributes come to life, ” Robbins said, mentioning throw members Scott Caan, Amy Smart and Ali Larter. “We were just trying to put together an ensemble of unknowns, and it was a big break for them.”

For Walker, it was a chance to play around with the passions of a jock driven to the ground by his cruel and relentless tutor, Bud Kilmer( Jon Voight ). Lance, forced to sit on the sidelines and watch someone else bask in his former glory, realise he could protect his teammates from Kilmer’s unethical practices, which include employing dopes to alleviate hurts. By the end of the cinema, Lance is looking out for those working still able to play the game versus feeling sorry for himself.

Although it’s swirled up with a lot of copulation and underage boozing, Walker’s performance is refreshingly nuanced as his attribute excruciatingly takes the cards he’s dealt and moves forward. Walker depicts Lance as not just a party boy who’s good at football, but presents the supporting player dimension, something that’s hard to come by in ’9 0s teen fare.

But if Lance Harbor decorated Walker as a good guy, the role of Dean Sampson in “She’s All That” tossed his whole schtick out the window. Sure, Walker played another high school jock — a soccer actor , nonetheless — but this time he was nowhere near the hero golden boy. He had turned end.

In the movie, which was released shortly after “Varsity Blues” in January 1999, Dean passes his crony Zack( Freddie Prinze Jr .) six weeks to date the most unattractive girlfriend at academy, Laney( Rachael Leigh Cook) — who is not unattractive at all, mind you — and acquire her prom mistres. But once Laney undergoes a drastic makeover, Dean turns on Zack, reveals their stake and questions the former “super geek” to the prom himself in hopes of sleeping with her. Basically, he’s the aforementioned Stifler, Joey and Rob combined into one gross fuckboy.

Halfway through the movie, we find a shirtless Dean in the cupboard area, teasing Zack about his non-existent sex life with Laney. His smug smile says everything is. “Oh hey man, I’m not baggin’, ” he boasts. “I mean, if you’re not gonna partake, do you thoughts if I do? Because I’m deliberation she might be a great little jam.”

In the menagerie of Walker’s jocks, Dean Sampson is the one who would hit closest to home with viewers’ real life events of the athletic, objectionable, offensive jolt. Director Robert Iscove told HuffPost he cast Walker in the role because he could, once again, has become a believable companion to a leading man, in this case Mr. Freddie Prinze Jr.

“Zack and Dean were the two jocks on campus and best friends growing up, ” Iscove said. “So Paul being able to give Freddie a run for his fund with the female devotees wreaked in his favor.”

Walker’s ability to stand his dirt next to the likes of Van Der Beek and Prinze Jr. in successful teen movies passed him to work alongside another well-known young performer: “Dawson’s Creek’s” Joshua Jackson. In 2000 ’s thriller “The Skulls, ” about an Ivy League secret society, Walker affected director Rob Cohen with his ability to stand out and fully embrace the role of “a scion of a affluent east coast family, ” despite being as California as “theyre coming”.

“I knew he could make a wonderful leading man and, down the road, an activity hero, ” Cohen told HuffPost. That’s why he asked Walker to headline his next movie, “The Fast and the Furious, ” in which he would play Brian O’Conner, an undercover police officer examining the illegal street racing world-wide for a crew of hijackers. Brian’s a mashup between a jock and a policeman — a handsome thrill seeker who becomes enamored with race cars while on duty.

Little did Walker know “The Fast and the Furious” would attain him a household name and spawn a film franchise worth$ five billion, a series that’s still going strong 20 year later with the latest installment, “Hobbs and Shaw.” With that blockbuster success, he solid his on-screen evolution from a memorable chum to a bona fide headliner.

“When Paul Walker ambled in the area, you thought,’ Oh, he’s a movie star, ’” Robbins said. “Paul had it.”

For The Love of 1999 is a weeklong series offering some altogether bangin’ papers and analysis of some hot — or not — TV, music, movies and luminaries of 1999. Keep checking back the coming week for more sweet content.

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