At 85, the award-winning actor is preparing for her directorial debut and starring in a brand-new film. She talks about Trump, feminism and industrial accidents on The Exorcist mounted that still leaves a bitter taste

‘It’s frightening !” Ellen Burstyn isn’t talking about her crusade with a demon in The Exorcist. Nor is she recalling her battle with amphetamine addiction in Requiem for a Dream. Rather, as I sit down opposite her, she is talking about the current US president.

He has become an inescapable topic, especially in New York where we are, but for the 85 -year-old, his reign has an added sting. Burstyn was not only a vocal supporter of his predecessor but was a visible part of Barack Obama’s campaign.

” I was so happy and pleased for this country that we are at last had been able to step over the line into some kind of reasonable outlook and then it ricochetted course back the other way ,” she says.” But I anticipate the Russians did it, don’t you concur ?”

Throughout our speech, Burstyn often asks for my opinion, and then listens with fortitude to what I have to say. We are in her Upper West Side apartment in Manhattan. Filled with diverse adornments, bangles and furniture signalling a life filled with travel, it seems well-suited to the topic at hand, given that we are here to chat about her new film. The House of Tomorrow stars Burstyn as an idiosyncratic female who are in a geodesic dome home with her teenage grandson, played by Asa Butterfield. Their lives are led by the teachings of inventor and futurist Buckminster Fuller, who, in reality, was close friends with Burstyn.

” The administrator, Peter Livolsi, cast it to me not knowing I was associated with Mr Fuller in the past ,” Burstyn says.” It was quite by collision .”

Ellen Burstyn in The House of Tomorrow. Photograph: Shout Studios

It is Livolsi’s feature-length directorial debut and I imagine it must be intimidating to lead an actor of Burstyn’s experience. After all, she has worked with Peter Bogdanovich, William Friedkin, Oliver Stone, Darren Aronofsky and Christopher Nolan. It was Burstyn who was responsible for getting Martin Scorsese to direct her 1974 comedy Alice Doesn’t Live Here Anymore .

” I affection brand-new administrators ,” she says. When she choice Scorsese to direct Alice Doesn’t Live Here Anymore, he was a relative newcomer.” I wanted to find person brand-new. When I think about it now, what I’ve always been attracted to is that their expertise hasn’t been mashed hitherto. It hasn’t gotten defiled by ordeal so it’s just fresh. As person once said, whatever can go wrong will go wrong when making a film, so I’m prepared for that .”

Not many actors know as well as Burstyn about what can go wrong on a establish. When stirring The Exorcist in 1972, an accident left her on crutches for the rest of the production. As she recalls the incident, she was gathered on to the floor with a cable during a scene where she is slapped by her demonic child, Regan.

” I said:’ He’s gathering me too hard-handed .’ Billy[ Friedkin, the film’s director] said:’ Well, it has to look real .’ I said:’ I know it has to look real but I’m telling you, I could get hurt .’ So, Billy said:’ OK, don’t pull her so difficult ,’ and as I turned back, I felt him signal the guy and he crushed me on the floor. I expected Billy to screech slash. Instead, I interpreted him stroke the cameraman’s arm to move the camera closer and I was screaming at the top of my lungs. Through my screams, I said:’ Turn the fucking camera off .'”

Ellen Burstyn and Linda Blair in The Exorcist. Photograph: Mondadori via Getty Images

The memory still leaves a bitter taste. It carries even more power in a climate where the irresponsible behaviour of directors is being re-examined following Uma Thurman’s story of abuse by Quentin Tarantino during a auto disintegrate on the make of Kill Bill.

” That was a bad ordeal ,” she says.” I don’t feel that I was complicit in it because I told[ Friedkin] not to do it. When I think about it now, why weren’t there pads on the floor, why weren’t there pads on my back ?”

She underwent “all kinds of” medicine for the rest of production. Friedkin did not apologise, either then or since. In a recent interview with the Guardian, he disclaimed she was seriously affected.” I’m sure she was hurt by the fall – you fell off your backside, it’s gonna hurt- but she wasn’t injured ,” he said.

While the experience might have left its mark, Burstyn’s time in the industry has been devoid of the sexual harassment that many of her peers have experienced.” I’ve always been treated pretty well ,” she says.” I’ve had a couple of knows; there have been a couple of dumb guys that I worked for early on. But for the essential points I’ve always been respected. When I was a model, that wasn’t true. Before I became an actress, when I was 19, 20, I had to handle some situations that were ugly .”

Was she is conscious of female peers suffering at the sides of other sex piranhas in Hollywood?

” The only party I ever heard narratives about like that was our chairperson ,” she says, although she doesn’t reveal any specifics.

She learns Harvey Weinstein “sick” and the allegations against him “flabbergasting” but is optimistic about the” seismic change in the consciousness” and the opportunities that women are now being offered. She concludes Wonder Woman is” a awesome movie” and adorations” all those women warriors” in Black Panther.

Early in Burstyn’s career she made an important choice about how she would be viewed as a woman in Hollywood.” It occurred to me, I could have a career based on my seems ,” she says.” But if I did, it would be a very short career and that I’d better not rely on that. So, I went to[ Lee] Strasberg and I studied the art of behaving. And it establishes me so happy to be 85 and still toiling .”

She turned down a lot of personas early on because they didn’t fit with how she wished to be seen.” I wanted to draw females as heroes because that’s what they are ,” she says.” Women were either criminals or brides who stayed dwelling while their partners went out to save the world. Or they were prostitutes. Or they were victims. I wanted to embody a woman as a hero, so those were the proportions I “re looking for”. After a while, I couldn’t do that any more. You get to a item where work is welcome .”

Ellen Burstyn in Requiem for a Dream. Photograph: Allstar/ Cinetext/ Artisan Entertainment

She tells me she regrets turning down the role of Nurse Ratched in One Flew Over the Cuckoo’s Nest but remains happy with another important decision at that time.” I turned down a lot of money for The Exorcist 2 ,” she says.” You can’t make a brand out of The Exorcist. It’s just ridiculous .”

In general, she doesn’t dwell on the past. Next she is stepping behind the camera to become her directorial introduction with Bathing Flo, a humor in which she will too star.” I’ve been putting it together for three years ,” she says.” We’re going to start shooting at the end of April and all of May and I pray I come out alive. It’s very exciting .”

She has also gained lessons from working with director Jennifer Fox in the devastating sexual abuse drama The Tale, which acquired plaudits at Sundance this year. While her occupation “ve been given” her abundant possibilities with male chairmen, there is something different about working with a woman.” I think that’s the difference on primed ,” she says.” The male chairmen are governing and the female administrators are working as a team .”

* The House of Tomorrow is released after the US on 27 April with a UK date yet to be announced

Sign up for Film Today and get our film team’s spotlights of the day


Please enter your comment!
Please enter your name here